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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Mon, 28 May 2012 09:40:11 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>Journal</title><subtitle>Journal</subtitle><id>http://www.mcfdesign.com/journal/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.mcfdesign.com/journal/"/><link rel="self" type="application/atom+xml" href="http://www.mcfdesign.com/journal/atom.xml"/><updated>2012-05-24T22:27:32Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.11.81 (http://www.squarespace.com/)">Squarespace</generator><entry><title>Good Job</title><id>http://www.mcfdesign.com/journal/2012/5/24/good-job.html</id><link rel="alternate" type="text/html" href="http://www.mcfdesign.com/journal/2012/5/24/good-job.html"/><author><name>MCFD7</name></author><published>2012-05-24T22:19:08Z</published><updated>2012-05-24T22:19:08Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>Some time back I did a bunch of walnut boxes for a jewelry maker down in NYC. It was a good job, one of those clients who cares more about the finished product than the expense. They wanted multiple prototypes and were willing to pay shop rate for many of these before settling on a final design. Along the way I tried to save them a little money by suggesting partial remakes of earlier versions, or with renderings, but these guys were of the sort that like to have the actual, not the representation. Fine by me, of course.</p>
<p>So they called a few weeks ago with a rush order for some maple boxes and so I am compelled to drop everything to give them my attention. Schedules get pushed and late nights in the shop are required but today the product shipped, hours to spare. (Actually, only 90 minutes or so.)</p>
<p><span class="full-image-block ssNonEditable"><span>&nbsp;</span></span></p>
<p style="text-align: center;"><img src="http://www.mcfdesign.com/storage/Joinery.jpg?__SQUARESPACE_CACHEVERSION=1337898380275" alt="" /></p>]]></content></entry><entry><title>First legs.</title><id>http://www.mcfdesign.com/journal/2012/4/10/first-legs.html</id><link rel="alternate" type="text/html" href="http://www.mcfdesign.com/journal/2012/4/10/first-legs.html"/><author><name>MCFD7</name></author><published>2012-04-10T11:02:05Z</published><updated>2012-04-10T11:02:05Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>The table is ready to stand on its own four feet. Much yet to be done, and the shot here doesn't reflect the shaping that's happening to the leg assemblies so it's really only a rough idea of the final piece.&nbsp;</p>
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<p style="text-align: center;"><span class="full-image-block ssNonEditable"><span><img style="width: 500px;" src="http://www.mcfdesign.com/storage/IMG_1911.jpg?__SQUARESPACE_CACHEVERSION=1334055930803" alt="" /></span></span></p>
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<p style="text-align: center;"><img style="width: 500px;" src="http://www.mcfdesign.com/storage/IMG_1922.jpg?__SQUARESPACE_CACHEVERSION=1334055872461" alt="" /></p>
<p style="text-align: center;">&nbsp;</p>]]></content></entry><entry><title>Patiently waiting.</title><id>http://www.mcfdesign.com/journal/2012/4/7/patiently-waiting.html</id><link rel="alternate" type="text/html" href="http://www.mcfdesign.com/journal/2012/4/7/patiently-waiting.html"/><author><name>MCFD7</name></author><published>2012-04-07T12:38:18Z</published><updated>2012-04-07T12:38:18Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>The walnut for the table top, rough milled to large dimension, is now stacked and stickered, acclimating to the humidity level of the shop. It's hard to resist the urge to glue up the boards and begin surfacing them, but rushing that process means warping later.&nbsp;</p>
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<p style="text-align: center;"><img style="width: 500px;" src="http://www.mcfdesign.com/storage/Lumber stack.jpg?__SQUARESPACE_CACHEVERSION=1333802697414" alt="" /></p>
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<p>Not that there isn't plenty to do. The trestle ends need shaping, which is roughed out with the bandsaw and then shaped finally with hand tools, primarily a rasp. It's time-consuming, but quiet enough to listen to music. Been enjoying the new <a href="http://soundcloud.com/firerecords/giant-sand-chunk-of-coal">Giant Sand album </a>lately.&nbsp;</p>
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<p style="text-align: center;"><img style="width: 500px;" src="http://www.mcfdesign.com/storage/Table Leg Shape.jpg?__SQUARESPACE_CACHEVERSION=1333802760921" alt="" /></p>
<p style="text-align: center;">&nbsp;</p>
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<p style="text-align: center;"><img style="width: 500px;" src="http://www.mcfdesign.com/storage/IMG_1912.jpg?__SQUARESPACE_CACHEVERSION=1333802810977" alt="" /></p>]]></content></entry><entry><title>Table Plans</title><id>http://www.mcfdesign.com/journal/2012/4/1/table-plans.html</id><link rel="alternate" type="text/html" href="http://www.mcfdesign.com/journal/2012/4/1/table-plans.html"/><author><name>MCFD7</name></author><published>2012-04-01T21:34:13Z</published><updated>2012-04-01T21:34:13Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>Once in a while I have to pull out my high school trigonometry book to remind myself how to figure the particulars of a right-angle triangle. I enjoyed that class; trig is one of those studies that one can easily see applications for in real life. In this case, I knew that the angle of the legs was 10 degrees, the overall distance between legs at the wide point and the height. Pulling out the old text book allowed me to figure the distance between the legs at the narrow point.&nbsp;</p>
<p>But even so, sometimes a full scale drawing on plywood helps.</p>
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<p style="text-align: center;"><img src="http://www.mcfdesign.com/storage/Table work1.jpg?__SQUARESPACE_CACHEVERSION=1333316733962" alt="" /></p>
<p style="text-align: center;">&nbsp;</p>
<p style="text-align: center;">As does a quarter-scale model:</p>
<p style="text-align: center;"><span class="full-image-block ssNonEditable"><span><img src="http://www.mcfdesign.com/storage/table model.jpg?__SQUARESPACE_CACHEVERSION=1333316974878" alt="" /></span></span></p>
<p style="text-align: center;">&nbsp;</p>]]></content></entry><entry><title>Raw Material</title><id>http://www.mcfdesign.com/journal/2012/3/30/raw-material.html</id><link rel="alternate" type="text/html" href="http://www.mcfdesign.com/journal/2012/3/30/raw-material.html"/><author><name>MCFD7</name></author><published>2012-03-31T02:15:54Z</published><updated>2012-03-31T02:15:54Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>I'm working on a commission for a client in NYC right now, an expanding dining room table made from walnut, and all the wood comes from two trees. The thick boards were from a tree that grew in North Portland, in someone's yard, that was cut down in 2002. Air-dried and sitting in two of my shops since then, it's finally time to mill it up.&nbsp;</p>
<p>The top is from Irion Lumber, in Wellsboro, PA. Minnie and I drove down there a few weeks ago, 90 minutes from here, and I picked out a set of boards, all from the same log. The color should be consistent, the grain matching.&nbsp;</p>
<p>Commence sawdust production.</p>
<p style="text-align: center;"><span class="full-image-block ssNonEditable"><span><img src="http://www.mcfdesign.com/storage/IMG_1838.jpg?__SQUARESPACE_CACHEVERSION=1333160662349" alt="" /></span></span></p>
<p style="text-align: center;"><span class="full-image-block ssNonEditable"><span><img src="http://www.mcfdesign.com/storage/IMG_1832.jpg?__SQUARESPACE_CACHEVERSION=1333160708131" alt="" /></span></span></p>]]></content></entry><entry><title>Starting out old.</title><id>http://www.mcfdesign.com/journal/2012/2/6/starting-out-old.html</id><link rel="alternate" type="text/html" href="http://www.mcfdesign.com/journal/2012/2/6/starting-out-old.html"/><author><name>MCFD7</name></author><published>2012-02-06T21:10:37Z</published><updated>2012-02-06T21:10:37Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>Twelve years ago we bought a new range for our house, part of rebuilding our kitchen and an upgrade from the vintage Wedgewood we had when we started. (A beautiful oven, but inefficient; the pilot lights ran constantly which accounts for about 40% of the gas used.) Like many people, we believe in buying things once whenever possible and applied that philosophy here. Ranges are relatively simple things and since this one wasn't cheap we figured we'd have it forever.&nbsp;</p>
<p>Recently the oven stopped working. I assumed it would be a simple fix, probably a new heating element or the thermistor, both of which I replaced. Turns out it's the control board, the electronic brick with the clock and all the buttons, and something I can't even begin to try fixing. I got on the computer to track it down but soon came to realize that Thermador (which is actually Bosch now) no longer makes or sells this. The appliance tech who came out told us that this is the way these companies try to sell more new products, by making the old ones wear out and by forcing the consumer to replace it.&nbsp;</p>
<p>When did this become acceptable?&nbsp;</p>
<p>Our neighbors up the road experienced something similar at about the same time. The dishwasher they've had for the past 30 years finally stopped working and couldn't be repaired so they figured they'd go out and buy a replacement, one that would perform as well for as long. Not possible anymore, as it turns out. Dishwashers have a lifespan now of 5 years, tops. In the pursuit of efficiency of operation, the manufacturers have compromised longevity.&nbsp;</p>
<p>How can this be, and how can it continue to be? Should a new appliance start out its life on its deathbed?&nbsp;</p>
<p>&nbsp;</p>]]></content></entry><entry><title>Greater Ithaca Art Trail</title><id>http://www.mcfdesign.com/journal/2011/10/8/greater-ithaca-art-trail.html</id><link rel="alternate" type="text/html" href="http://www.mcfdesign.com/journal/2011/10/8/greater-ithaca-art-trail.html"/><author><name>MCFD7</name></author><published>2011-10-08T13:41:22Z</published><updated>2011-10-08T13:41:22Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>Getting ready, doing some last minute preparations for opening the shop up to the public. Always a little nerve-racking, for some reason. Cleaning up, mostly, and trying to see the shop through someone else's eyes. My wife, Minnie, is setting out her paintings as well, which really improves the feel of the space. Too bad it's impractical (dusty) to keep some out there regularly.&nbsp;</p>
<p><a href="http://www.arttrail.com">www.arttrail.com</a></p>
<p>Come on out!</p>
<p>&nbsp;</p>
<p>&nbsp;</p>]]></content></entry><entry><title>Summer's Sticky Drawers</title><id>http://www.mcfdesign.com/journal/2011/9/13/summers-sticky-drawers.html</id><link rel="alternate" type="text/html" href="http://www.mcfdesign.com/journal/2011/9/13/summers-sticky-drawers.html"/><author><name>MCFD7</name></author><published>2011-09-13T09:04:58Z</published><updated>2011-09-13T09:04:58Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>Yesterday I got a call from a woman who had just recently moved to Ithaca from Colorado and was wondering why the drawers on her night stands were stuck shut. Her dad made these and several other pieces so they have strong sentimental value. The short explanation is something that we all know intuitively on some level but perhaps don't understand the specifics of: wood moves.</p>
<p>&nbsp;</p>
<p>A ten-inch wide board may be that dimension in the fall, 10 &frac14;" wide in the summer, but 9 <span>⅞</span>" or so in the winter. What's happening is that as the humidity of the air changes, so does the moisture content of the wood. The humid summers here are what cause doors to stick and drawer sides to grow to the point at which they no longer open. The remedy is to make the overall width of the wood narrow enough to accommodate the opening in the summer and accept the fact that it will be slightly loose in the winter. The better approach, though, is to design the piece so as to minimize the effects of this movement.&nbsp;</p>
<p>&nbsp;</p>
<p>Different species move in different amounts, and the method of sawing the wood from the log also affects this so, for example, a flat-sawn piece of yellow birch would make a terrible choice for a drawer side because of its high rate of expansion, whereas a nice piece of quartersawn sugar maple would tend to move less and therefore give a better fit throughout the year.&nbsp;</p>
<p>&nbsp;</p>
<p>I went to bed last night reading Eric Sloane's book, "A Reverence for Wood." He gives an example of wood movement that I'd never heard of, which is the way that old shingle roofs can 'breathe out their nails.' What happens is that, with the daily changes in moisture and atmospheric pressure, the shingles will all expand and contract a tiny amount, slowly working the thousands of nails outward and producing a porcupine effect. (He goes on to talk about the benefits of having those nails hold the insulating layer of snow on the roof all winter as well, but that's another issue.)&nbsp;</p>
<p>&nbsp;</p>
<p>One of the advantages of custom furniture is that it's more likely to be made with these considerations in mind. In a factory setting, there is often a utility grade wood that's used for all the hidden parts and isn't necessarily the best choice. Another plus is that, if the drawers do stick a bit, most custom furniture makers will be happy to stop over with a plane and true up the edges of the doors or of the drawer sides as needed. It's a simple procedure and every maker I know would much rather spend a few minutes doing this than have one of their pieces out there in the world functioning imperfectly. I know I would.</p>]]></content></entry><entry><title>Is this woodworking?</title><id>http://www.mcfdesign.com/journal/2011/8/30/is-this-woodworking.html</id><link rel="alternate" type="text/html" href="http://www.mcfdesign.com/journal/2011/8/30/is-this-woodworking.html"/><author><name>MCFD7</name></author><published>2011-08-30T13:14:05Z</published><updated>2011-08-30T13:14:05Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p style="text-align: center;"><img class="iphone-image" src="http://www.mcfdesign.com/resource/iphone-20110830091405-1.jpg?fileId=13912996" alt="" /></p>
<p>Answer: yes. Woodworkers use machines and so I have almost as many mechanic tools as wood tools.</p>]]></content></entry><entry><title>Day Off</title><id>http://www.mcfdesign.com/journal/2011/7/29/day-off.html</id><link rel="alternate" type="text/html" href="http://www.mcfdesign.com/journal/2011/7/29/day-off.html"/><author><name>MCFD7</name></author><published>2011-07-29T14:17:15Z</published><updated>2011-07-29T14:17:15Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>&nbsp;I like to think that I have a pretty good work ethic, sometimes overly so. Yesterday, however, a friend asked if I wanted to go out on Cayuga Lake and fish for lake trout &ndash; 'lakers.' I went through the usual internal arguments about whether I had the time or could afford to miss the shop work, but in the end the fact that it's summer won out and I seized the opportunity.</p>
<p style="text-align: center;"><span class="full-image-block ssNonEditable"><span><img src="http://www.mcfdesign.com/storage/Journal%200729111.jpg?__SQUARESPACE_CACHEVERSION=1311991686086" alt="" /></span></span></p>
<p>&nbsp;</p>
<p>The method was decidedly old-school: a box built around an old Victrola motor and a spool of several hundred feet of 21 gauge copper wire with a hook and spoon at the end. The mechanics weren't without hitch, but we got it figured out mostly and ended up with 2 good-sized trout each.</p>
<p style="text-align: center;"><span class="full-image-block ssNonEditable"><span><img src="http://www.mcfdesign.com/storage/Journal%200729113.jpg?__SQUARESPACE_CACHEVERSION=1311991731467" alt="" /></span></span></p>
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